Shamless Gaming Month, July 2012

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Well, Kotaku have started it again, so let’s play Shameless Gaming Month for July 2012. Last year I put in a wussy effort by finishing Wonder Boy in Monster World on the Mega Drive, so for this year I’m going to try to be a bit more ambitious.

How ambitious? This ambitious:

  • Finally finish (the amazing) Explodemon on the PS3,
  • In honour of last year’s entry, finish the recently released Monster World IV on PS3 (and as an aside, expect a review for the Sega Vintage Collection releases soon)
  • Finally get all the trophies on the Sega Mega Drive Ultimate Collection (aka Sonic’s Ultimate Genesis Collection for those in the US), and
  • Play through Phantasy Star 2 in Easy Mode on the Sega Ages Phantasy Star Collection on the PS2.

๐Ÿ™‚

Admittedly I put the last point on the to-do list back in February, and I’m not sure if I’ll have the stamina to trophy my way through the Sega Mega Drive Ultimate Collection given how terrible the emulation is, especially compared to M2’s recent (and benchmark-setting) efforts for the Sega Vintage Collection releases.

And as an aside, apologies for the brief hiatus of the blog – June was absolutely mad between commitments at work and home, but things have started settling down again, which is nice ๐Ÿ™‚

Setting goals

Yes, I’m still here ๐Ÿ™‚ A busy January has kept me from jumping back in, so let’s see how February goes. It also means my favourite blogs (all linked on the right) have had multiple updates I need to catch up on.

In thinking how to start off this year I thought about setting goals and how that plays into my gaming habits. I often overwhelm my spare time with a multitude of things, some of which is productive, some of which isn’t. Taking on big projects should be done accordingly, without going overboard.

So, with all of this in mind, I thought I’d make a few goals for this year:

Blog:

  • Update at least once a week; possibly two if I’m being ambitious ๐Ÿ˜‰
  • Catch up on some tutes – I have stacks of photos from some Mega Drive 2 mods (including doing the colour mod), Famicom AV mod tute, Saturn Virtua Gun button repair mod and probably a few others I’ve forgotten.
  • Start posting up gaming session images using the video capture thingie I bought ages back.
  • Make some video tutes showing how to hack Phantasy Star: Generation 1 and Generation 2 on the PS2.

Gaming:

  • Play through Phantasy Star 2 in Easy Mode on the Sega Ages Phantasy Star Collection on the PS2.
  • Catch up on downloadable titles on PSN/XBLA.
  • Play more old games, especially Famicom stuff.
  • Get better at Panzer Dragoon Zwei to relive my past glory/skills ๐Ÿ˜€

Modding:

  • Finish my Famicom mod (need to swap in a fresh transcoder) and fix the controllers.
  • Replace the dead cart slot in my Saturn.
  • S-video mod my SMS2.

Projects:

  • Rebuild my gutted Taito Space Invaders cocktail cabinet that’s been gutted and sitting idle for well over 12 months.
  • Finally build the huge switchbox I’ve been wanting to assemble for a few years now.

Shopping:

  • Fellow retro gamer Frank might have convinced me to look into getting a Twin Fami owing to its amazing composite video output; will definitely consider it if the composite video mod on my Famicom doesn’t look comparable.

Oh, and those last two projects will be covered in full on the blog ๐Ÿ˜€

In addition, there’s also the usual domestic stuff – Wifey has been extremely patient for the last couple of years while I’ve landscaped and irrigated in the gardens, and this year it’s time to start inside the house, so the above will have to be done in conjunction with the house renovations ๐Ÿ™‚

Hopefully by putting these down, it will encourage me to actually tackle the issues and not flounder around staring in wonder at the nerdy pile of carts and floppy disks in the nerd room instead of doing something more productive… which happens more often than it really should ๐Ÿ˜‰

Risk management for the next generation of consoles

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With the Wii U hitting the market at some stage in 2012, and with Sony and Microsoft likely to announce succeeding machines at E3 next year (with launch windows around 2013/2014 if the rumour mill is any indication), it’s time to talk risk management. But not boring textbook risk management – fun console risk management.

When I talk about this concept from a console perspective, it’s probably not in a way that most expect. The way I’m approaching the application of this phrase to the gaming arms race is about how to build a console so that it is as risk-adverse as possible, and what the consequences of “bad” decisions are from a managerial perspective.

Let’s take the Wii as the first example. The Wii made Nintendo a lot of money, more money than it was probably expecting. It now makes them less money compared to the machine’s heyday. Nintendo made, from a nerdy perspective, a few errors in judgement that arguably affected the console. First up, the console was region-locked. This seems inconsequential to the average pundit, but consider this – in order to play a game you’ve purchased overseas, you need to mod your console with either a modchip, boot disc or softmod. Thus, instead of just the tinkering masses who want to get Linux on the machine and the pirates, you also have every legitimate gamer who wants the flexibility of importing games, whether the rationale be price, features or release dates. Open the machine up and temptation may come into the equation. Under Australian law, it also adds a degree of legitimacy for console modding – the ACCC is happy to weigh in on the argument and support console mods that allow imports; if said-mod also enables piracy, that’s collateral damage. The legislation was never tested post-PSone, but the principles are more difficult to argue given past precedent.

There’s also the question of global communal resourcing behind the modding effort – in the case of the Wii you have the Linux community, pirates and gamers all clamouring for a solution. If Nintendo had made the machine region-free and allowed a Linux distro from day one, you eliminate a reasonable portion of the white-hat community.

There were also a couple of other errors of judgement – Virtual Console games were always in 50hz for PAL countries. This defies logic, at least in the realm of English-speaking PAL countries where a US version would have been fine. I have outright refused to buy PAL VC games given such anti-consumer attitudes; same goes for PAL PSN by the way. Admittedly I account for 0.01% of the audience, but still – why make a stupid move?

Then there’s Nintendo’s lack of QC on titles and the subsequent neglect of the system by gaming enthusiasts. Yes, we’ll all jump on board the delightful Zelda train now that Skyward Sword’s out, but the emphasis on mass-market profiteering enabled a relatively short-term success for the machine. Attachment rate was low, third parties faced the dual-issues of piracy and poor sales lost amidst a swamp of shovelware and core gamers have generally let the machine gather dust. On the upside, Nintendo profited handsomely from hardware, accessories and licensing on every piece of software sold, but the focus was worringly short-term. The PS3 and XB360 hailed from the same launch window and are still performing in the marketplace due to strong software development and long-term hardware/software development (the former has had to work extra hard to get to its current place). Nintendo’s usual internally-focused attitude was it’s usual double-edged sword – a Nintendo product is made to play games by Nintendo; 3rd parties are welcome to join the ride, but ultimately they play second fiddle to first party titles. It’s no longer the 16-bit era though, and one hopes the attitude will change with the next generation.

Don’t get me wrong, I love our Wii. But a few critical flaws affected the machine. In a sensible world, the Wii U would capitalise on its apparent grab to enamour the core gamer beyond a few mature launch titles. It should also give great BC with Wii software and GCN software; unfortunately, the latter is being ignored (likely a DLC double-dip for Nintendo) and the former will only be played back at SD resolutions. Like the Chewbacca defense, this decision makes no sense. Wii games internally rendered at 1080p look stunning – Dolphin has demonstrated this. Why this isn’t done is irrational – I’d happily pay $5-$10 to buy an enhanced emulation mode off the online store assuming it gave all the nerdy love you’d expect. It’s a bad omen for a company that should be learning from its mistakes, rather than continuing to implement half-arsed measures to bring back in the bread and butter of their fanbase.

As for region-free? Not sure if anyone has discussed it, but I’d suspect not given the also-irrational moves to make DSi and 3DS titles region-locked. In a global economy, you can’t have your cake (utilise a global consumer base to promote your product) and then eat it too whilst kicking the other person in the face (creating artificial and unnecessary delays for release, engage in price-fixing between territories and locking out the option for the consumer to parallel-import titles).

Then there’s the Xbox 360. The predecessor was clearly Microsoft’s trojan horse (though the Dreamcast fanboy within suggests the Dreamcast was Microsoft effectively experimenting with the console market), so the XB360 was MS playing for keeps. Despite enormous effort to court the Japanese industry, the machine still flopped in the Land of the Rising Sun. Not that it mattered in the end – the gaming sector in Japan has effectively imploded and allowed North American development to rule the roost with a minor resurgence in the UK and EU (and a welcome one at that).

Microsoft made a couple of good moves with the XB360 – it looked less of a black brick compared to the preceeding console, had some interesting games with more contributions from Japan (especially on XBLA), didn’t kill BC as part of the console’s hardware revisions and set region-locking as an optional requirement set by the developer. It was also relatively easy to develop for and often had the best version of multiplatform games.

Unfortunately MS also paired the machine with overpriced proprietary HDDs, kept DVD (though this did have speed benefits vs BRD/HDDVD) and have absolutely terrible engineering on the insides that have resulted in the least-reliable console ever built (citation needed).

Region-locking was inconsistent – some titles were good to go, some weren’t… and unfortunately, some key titles were region locked (I’m looking at you Tales of Vesperia!). Oh, and dead DVD-ROMs meant if you tried to DIY a replacement (instead of paying through the nose for MS to do the work for you), you could get banned from XBL. There of course is little chance of MS ever supporting a Linux install, but extending the machine’s media playback abilities would have been a nice step.

With whatever succeeds the XB360, I hope MS keep BC with some options to pretty the machine up, region-locking gets moved to the side in favour of region-free, DVD finally gets moved on and users can change HDDs themselves. Oh, and it would be nice if the hardware was more reliable ๐Ÿ˜‰ Doing so will ease the level of risk generated by the white-hat and grey-hat communities, which means the machine is less likely to be hacked. It also means the consumer is happier, but hey, that’s just a pleasant side-effect of making your machine less of a target ๐Ÿ˜‰

So that brings us to Sony. The PS3 was on the edge of greatness with their machine from a nerd perspective (apologies for the hyperbole) – excellent BRD playback, evolving media playback, DLNA compatibility out the box, standard HDMI and optical audio sockets on the machine, excellent BC, Wifi as standard, region-free for PS3 titles and all content from PSN, Linux installs available from day 1, reasonably reliable hardware and the ability to upgrade HDDs yourself. This is amazing considering Sony’s arrogance coming into this generation as the previous market leader.

However, Sony made a few critical errors. BC was gimped in PAL territories from day one (despite paying an extortionate opening price for the machine), and then completely removed altogether. Media playback was successively updated up until… ~fw 2.45, and then it dropped off the radar. Wireless performance for streaming media has been lacking for a while now – again, following a firmware update a while ago, wireless streaming performance slowed down for some reason. PSN has been poorly utilised for distributing PSone games (and now selected PS2 titles), including the reappearance of poor PAL conversions on PAL PSN. PS2 BC was completely removed from the second major hardware revision (but interestingly is now back as a possible emulation layer with PS2 titles via PSN) and PSone emulation has lacked any kind of enhancements the PS3 is more than capable of.

The Big One, though, was the removal of Linux. Depending on which argument you sit with, this was the tipping point that led the collective hacking communities to proceed with breaking open the PS3. From a risk management perspective, this smacks of trouble – to use a possibly inappropriate analogy, if you go into town on a Friday night, get drunk and pick a fight you shouldn’t be surprised someone will punch you in the nose; it certainly isn’t a legitimate excuse, but partaking in that kind of behaviour certainly lacks a risk-adverse attitude.

Up until that point the PS3 was relatively robust – it wasn’t being affected by piracy in the same way the Wii, and to a lesser extent the XB360, were and broadband penetration meant distributing 25gb+ files wasn’t entirely practical. However, in the wake of removing Linux the community took the gloves off and the platform suffered as a result – both in terms of the platform’s physical integrity but also the security of the company’s entire online framework.

I’m not condoning the behaviour of the hacking community by the way, just pointing out that from a risk management perspective, in hindsight it wasn’t a sensible move.

So, lessons to learn for Sony? Keep the progressive things about the PS3 into the succeeding console – region-free playback, excellent media playback, Linux from day one, user-maintained HDD, standard media sockets (i.e. HDMI).

To the average punter, the likes of Linux support, BC, media playback and region-free gaming probably aren’t high on the list; to the core gamer though, these are important issues. More than that though, fulfilling these requirements will assist in reducing the risk associated with the platform from the hacking community. It certainly demands a very different attitude towards your end-user compared to the approach console manufacturers have traditionally taken.

Whether or not this kind of progressive attitude pays off is anyone’s guess – what’s the ROI for goodwill?

Or perhaps it’s better to phrase the question like this – what do you have to lose if you raise the ire of your consumer-base and all corners of the hacking community?

I guess time will tell.

Seasonal gaming habits – spring?

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So, it’s hitting spring around here (remember, this is the southern hemisphere ;)). This means it’s no longer cold (“cold” by Australian standards anyway), the garden comes alive (with new weeds and the lawn needs more frequent mowing), it’s brighter for longer and Christmas isn’t too far away (scary). Last year I wrote on how games are associated with my memories of different seasons. It’s completely irrational, but for me different seasons have tangible memories of gaming associated with them. So when the seasons change, it makes me think of different games. As opposed to something more logical/socially acceptable, like music, movies or first loves. Popular culture informs me these associations are acceptable. They’re probably right.

In my original rant, I mentioned Road Avenger (Mega CD), Sonic CD (Mega CD), Thunderhawk (Mega CD), Marvel Super Heroes vs Street Fighter (Sega Saturn), Panzer Dragoon (Saturn), Panzer Dragoon Saga (Saturn), Mortal Kombat (Mega Drive) and Street Fighter 2: Special Championship Edition (Mega Drive). While I haven’t done much gaming over the last couple of months, I seem to be going through a Mega Drive phase, having finished Wonderboy in Monster World back in July, buying a 32X in September and am currently contemplating playing through Phantasy Star 2. Well, I’m contemplating the latter via Sega Ages 2500 vol. 32: Phantasy Star Collection on the PS2, as you can set it to Very Easy/Easy to make the game less grindy compared to the cart. I do have Phantasy Star 2 in all its glory on the Mega Drive (including the map and the hint book!) from back in the day and even managed to finish it when I was a kid, but these days I don’t have the free time to grind-grind-grind my way through the game, so the M2-emulated compilation on the PS2 is my easy way out ๐Ÿ™‚

So, looking at the list above I thought I’d focus on the Mega CD games, because I have unusually vivid memories of the Mega CD.

According to the Australian Video Game Magazine Score Archive at Retro Gaming Australia, Sonic CD was reviewed by Hyper in January 1994; this puts local availability anywhere from December 1993 to March 1994. The date is relevant because the first time I ever saw a Mega CD, in the flesh, was in my local favourite (and now sadly defunct) game store. Sitting on the front counter at the end of the two ailes full of Mega Drive and SNES games for rent that made up the small store (along with some Gameboy, Master System, NES and 3DO games to mix things up) was a Model 1 Mega Drive/Model 1 Mega CD combo with the opening splash screen/intro movie for Sonic CD running on a continuous loop. It was earth-shatteringly mindblowing in a way that you couldn’t imagine unless you were 12 years old and it was 1994. Unfortunately this isn’t necessarily a case for quality, as back in 1994 East 17 was popular amongst 12 year olds and digitised graphics/Mark Hamil was the future of gaming.

So, enthused by the promise of CD-ROM technology and low-resolution video in 64 colours, I pooled enough money to be able to rent a Mega CD from said local independent for a weekend with Thunderhawk and Sonic CD to test the machine out. This happened to be in September, and I can still recall hooking up that extra power brick to the series of double adapters behind the laminate-woodgrain TV in the lounge room to experience the future.

It was, in a word, amazing.

Sonic CD proved a great platformer in its own right, but the combination of CD audio (being a PAL version we had the original Japanese soundtrack, which is still my preference to this day) and 3D special stages elevated it to something else. Even if they could probably be done on a SNES with an overlcocked SuperFX2.

Then came Core Design’s technical wonder of a game, Thunderhawk. Having spent many hours enjoying the glorious glory that was LHX Attack Chopper on our mighty 386DX40 PC (which became an even better game when I worked out you could copy the disk’s contents to the 40mb [!] HDD for faster loading), loading up Thunderhawk was all types of awesome. Great scrolling, amazing audio, and more detail compared to my previous flat-shaded shoot-shoot-helicopter experience with the former (not surprising given it was made in… 1990, compared to Thunderhawk, which was released in 1993). Thunderhawk would mark the start of a great relationship between Core Design and Sega that culminated with Tomb Raider launching first on the Saturn, whereupon Core sold out since Sony paid them a lot of money to go exclusive. Since Sega had very little money in 1996 and created a convoluted (but loveable) mess of hardware, this arrangement is not terribly surprising.

But I digress – back to the story.

To be honest, I thought that was going to be the end of my Mega CD experience as the add-on was expensive, so there wasn’t much possibility of being able to pick one up on pocket money and money gifting on birthdays or Christmas. Fast-forward a little over 12 months though, and things changed. With the release of the Saturn and Playstation in 1995, the upcoming Nintendo 64 (though I think we were still calling it the Ultra 64 at that stage), the tanking of the Mega CD and 32X and with the 16-bit era on its last legs (nobody told Nintendo, so we got Donky Kong Country, Secret of Evermore and in the US, Chrono Trigger to keep us entertained for a little longer), in 1995 the impossible became altogether possible. I’m not sure how I got the funds together, but I joined the Mega CD club in spring ’95. I probably have the receipt somewhere that’ll give the exact date too.

Mum was kind enough to pick up the console and a game (Sonic CD) while I was at school, but it was a modern day/1995 tragedy – I was behind on a geography assignment that was due the next day (a Friday if I recall correctly), so instead of unboxing my shiny new console I stole quick glances at it between burying my head in atlases and encyclopedias whilst trying to write something coherent.

Roll on the next day though, and after school it was Mega CD time. It was warm (so I’m guessing it was late-October or November), so the fan was buzzing away at the lowest speed, and the Mega Drive + Mega CD 2 combo was hooked up via RF to the recently-acquired 34cm TV (in fashionable late-80s matte black, a hand-me-down from my older brother who replaced the TV [and accompanying C64] with a 14″ SVGA monitor and the 386DX40). Packed in was Road Avenger, which received a cursory play, but the real meat was Sonic CD. I can’t tell you how many hours I sunk into that game in the months following, but it was a lot. I remember unlocking everything on that game, it was amazing. I even started playing Road Avenger after a while, and began to genuinely enjoy it. This last point is not surprising in the context of 1995/1996, as my burgeoning anime interest was about to ramp up following easier access to videos thanks to Siren/Manga Video and SBS kicking off things with Ninja Scroll on Des Mangan’s Cult Movie sessions on Saturday nights a few months later.

So – spring, Mega CD and a few classic titles. Unusual? Probably ๐Ÿ™‚

Am I a gaming aesthete?

Jeremy Parish recently wrote about the gaming aesthete, and the post captured something I’ve been trying to articulate for a while now. For whatever reason, I seem to prefer games with a particular aesthetic quality and loathe titles that go against my irrational sense of preference. Amusingly, a portion of my taste can be summed up in UK:R’s watershed Blue Skies in Gaming campaign – out with the poo-brown, grey, boring colour schemes, and in with colour, life and vibrancy.

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No more silly gangs, testosterone, “extreme”/”hardcore” drab colour schemes and other such douchebaggery. The content doesn’t have to be sunshine, lollypops and pixies, but it should be allowed to have colourful vistas and degrees of depth to its aesthetic execution.

The problem is that with the rise and rise of US development in the gaming sector (underpinned by the dramatic fall from grace we’ve seen from Japan in the last 10 years, and the EU in the 5-7 years prior to that), it’s all very vogue and chic to be an (extreme) macho douchebag mirroring something out of a Michael Bay movie (with optional 1-dimensional arse-kicking but well-endowed female sidekick), or drawl like an (extreme) urban gangster or be an (extreme) racing game with unnecessary (but extreme) back story. You then play this on your (e)x(treme)box or your slick black PS3 (with optional extreme metallic blue/red/moose controller to complement the silly Spider-man font), with trophies/achievements to add to your signature on your underground/alternative message board where you compare how awesome you are.

And with a couple of exceptions, it just doesn’t appeal to me. I prefer the classical Japanese or European approach to gaming, which allows colour and not so much testosterone to overrun the landscape. The problem is that both of these communities are not the stalwarts they once were. In the 8-bit micro and 16-bit computer days, I played more games from the EU than I can count – some were stupid bouts of pixellated testosterone, but the underlying mechanics and aesthetics were fresh and interesting. But with the move to larger teams and bigger budgets, the old models failed to adapt to the changing scenery and unfortunately a lot of talent was lost or quelled as part of larger corporate mergers.

Jump across the pond to Japan, and the quality of their arcade and console games in the 80s and 90s were unmatched and arguably the hive of some of the industry’s core creative content. Sega, Nintendo, Namco, Hudson, SNK, Capcom, Konami, Taito, Square, Enix… amazing studios that produced stunning games. But something happened between the DC/PS2/GCN/Xbox and the current generation, and the Japanese sector imploded – larger teams were required to fuel larger budgets and suddenly the shrinking local console market demanded more conservatism in game design. This meant the baby was thrown out with the bath water to accommodate the Western market (which meant the unique “Japaneseness” that made the games so appealing in the first place was often lost), or developers focused on placating niche local audiences with an abundance of moe and fan service (which are fine in moderation, but stifling when they’re pandering). To offset development costs and the changing Japanese market, the situation was further compound with the dramatic shift of development resources to handheld platforms (which I guess is fine if you prefer mobile gaming, but I prefer to play on a console). Thus you have a variety of factors that have essentially quashed Japan’s ability to compete with the West, in particular the US and Canada.

So that leaves me in an unusual position borne entirely from my own particular tastes in gaming, where I have to look a bit further than Japan for my gaming kicks. For the first time in a while I’ve been playing Western-developed games – The Darkness (developed by Starbreeze in Sweden), Mirror’s Edge (DICE, also in Sweden), Enslaved (Ninja Theory, UK) and Batman: Arkham Asylum (Rocksteady, UK)… but what’s interesting is that these have all been developed in the EU (sorry to the UK studios for lumping you in there!), which is a trend I hadn’t consciously realised until thinking about my gaming habits for this generation of consoles. This doesn’t mean I’ve neglected Japan, as I’ve also enjoyed Ninja Gaiden Sigma (Tecmo), Valkyria Chronicles (Sega WOW), Street Fighter 4 (Capcom), Yakuza 3 (Amusement Vision/Sega) and New Super Mario Bros. Wii (Nintendo EAD). What’s interesting looking at this shortlist is that some games contain some of the elements I normally don’t like about current-gen games, but they’ve done so in a way that emphasises the often intangible aesthetics that appeal to me.

In short, my gaming preferences are confused and contradictory at times, but share a commonality that points to the resultant aesthetic which entices me to play the game in question.

It also means I’m more likely to play Wonderboy in Monster World on the Sega Mega Drive than Resistance 3 or GTA4.

I think that last point sums up the entirety of this post quite succinctly. Figures ๐Ÿ˜›