Responding to the Retro Domination Saturn podcast

Retro Domination Saturn Podcast

Earlier this month one of my favourite local podcasts, Retro Domination, put together a Saturn special. After having a listen, I thought I’d write a response to fill in some of the gaps – here goes!

The Saturn launched at $799 in late 1995 locally – the extra $100 was justified with the traditional pack-in game, Virtua Fighter. The PSone retailed for $699 and came packed in with a demo disc. This was for the oval model Saturn and came in a larger box. The price had dropped by early-mid 1996 (probably between April and June) to $399. At this stage it was around the same price as the PSone and had the Sega Flash demo discs packed in from thereon and had the revised “Model 2” console design. I know this because I personally purchased mine by putting it on laybuy at Target when they had a 20% off storewide and finished my laybuy off in September 1996, whereupon I played the hell out of Sega Flash vol. 2, bought a copy a few months later 2nd hand of Panzer Dragoon and then finished up the year with VF2 and NiGHTS (with analogue controller) for Christmas. Was absolutely magic, though 1997 gave it a run for its money as that was the Christmas where I started importing Saturn games from the US and Japan!

At least one game will refuse to load if you have a 4-in-1 cart – Panzer Dragoon Saga; you can load it up with an official save cart, but nothing else. You also have to be wary of the damage third party carts can do to a Saturn’s cart slot. The EMS 4-in-1 cart currently sold is reasonably reliable, but earlier multi-carts would damage cart slots. I know this because my 4-in-1 cart (1MB version) did massive damage to my Saturn’s cart slot. Some games also misbehave, at least on earlier versions – Samurai Shodown 4 and other 1MB SNK titles would have corrupted graphics, and the first few revisions of the 4MB version of the cart had issues with 4MB games that came out after X-Men vs SF (Vampire Savior and so forth). Again, pretty sure the current builds work fine.

The 50/60hz switch affects some games differently depending on how they were programmed. Where a game was cleverly programmed it can corrupt graphics – the special stages in PAL Sonic 3D have all the 3D geometry disappear if you push the machine into 60hz (haven’t tested my Japanese copy in 50hz yet). Some games utilise the ability to have separate audio and video tracks for FMV, and when the refresh rate doesn’t match it causes problems (Magic Knight Rayearth and Sakura Taisen 2 both have this problem), and sometimes the codec simply plays up (Burning Rangers uses either the Duck motion codec or the newer ADX-driven versions of video codecs and skips/stutters if the refresh rate doesn’t match). Some games that heavily rely on complex refresh-rate driven audio and video coding also struggle in the wrong refresh rate – audio skipping is a huge problem on the Capcom 4MB games where the audio samples are loaded into memory, and in games with timed in-game rendered cut scenes (like Panzer Dragoon Saga), using the wrong refresh rate will occasionally cause some audio to skip as the cues are out of whack.

The multi-region mod is a bit tricky, but makes for a bullet-proof solution (i.e. your cart slot is free so it can be used for official carts). The other option is to remove the existing BIOS and install a region-free BIOS. The cart is an easy option, but won’t open up using the save cart for getting the ghost cars in an import of Sega Touring Car or using the ROM cart for KoF ’95.

Saturn’s are notorious for being tanks in terms of reliability – the hardware in the PSone (excepting the excellent DACs in early model PSones) is comparably precious. The exception to this rule is the cart slot – it’s rubbish.

Dynamite Deka is virtually arcade perfect because it was developed for the STV board, which was basically a Saturn with more RAM and used a cart interface for the game data/PCB. The same hardware was also used for the arcade releases of Cotton 2, Soukyougurentai and Radiant Silvergun, all of which received amazing Saturn ports.

Marvel Super Heroes actually has more slowdown in 60hz, as the 17% bump to the speed taxes the Saturn’s hardware as it needs to render faster to keep up. Adjust the refresh rate in-game to check out the difference.

The Saturn port of Street Fighter Alpha 3 is arguably the best of the ports owing to the Saturn being able to run at the exact same resolution as the CPS2 arcade PCB. While the audio samples aren’t as good as the other 4MB games due to the different ways they utilise the extended RAM, the frame-count is virtually identical and the Saturn’s pad is still the best controller for 2D fighters.

Shenmue was actually well into development on the Saturn – the demo reel video you access via Shenmue 2 shows some considerably complex geometry rendering consider the machine’s issues with complex 3D tasks (thus a substantial amount of time would have been sunk into their dev tools and the game engine). The game was then moved to the DC around 1998 as Project Berkley evolved to become Shenmue as we know it.

The full title of the Segata Sanshiro game is “Segata Sanshiro: Shinken Yuugi”.

In terms of hardware, “Model 1” and “Model 2” are depreciated in terms of the internals, as it varies – I’ve modded Model 1 Saturns with Model 2 internals and vice versa. IIRC, the Saturn had around 9-10 mainboard variances and revisions over the years, some more reliable than others, and in most modding circles you work via mainboard revision rather than relying on the external case. My current machine is suffering an issue with an overheating power supply that seems to be disrupting the +9v output which is affecting the power supply to the CD-ROM’s motor and introducing noise into the video output when it heats up too much. The component in question currently believed to be behind it is unavailable for repair or replacement though, and even a re-cap hasn’t solved the issue. The workaround is to let it cool down for an hour and get back into it! This is in complete contrast with other “Model 1” machines that have run without skipping a beat after hours and hours of abuse!

Whew, brief as always. I’d also recommend everyone drops by the Retro Domination website to get an excellent Australian take on retro gaming, subscribe to their podcast and, if you’re keen-eyed, take a squiz at the first in a small series of posts I’ve written for them recapping my Japan travel adventures 🙂

Seasonal gaming habits – spring?

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So, it’s hitting spring around here (remember, this is the southern hemisphere ;)). This means it’s no longer cold (“cold” by Australian standards anyway), the garden comes alive (with new weeds and the lawn needs more frequent mowing), it’s brighter for longer and Christmas isn’t too far away (scary). Last year I wrote on how games are associated with my memories of different seasons. It’s completely irrational, but for me different seasons have tangible memories of gaming associated with them. So when the seasons change, it makes me think of different games. As opposed to something more logical/socially acceptable, like music, movies or first loves. Popular culture informs me these associations are acceptable. They’re probably right.

In my original rant, I mentioned Road Avenger (Mega CD), Sonic CD (Mega CD), Thunderhawk (Mega CD), Marvel Super Heroes vs Street Fighter (Sega Saturn), Panzer Dragoon (Saturn), Panzer Dragoon Saga (Saturn), Mortal Kombat (Mega Drive) and Street Fighter 2: Special Championship Edition (Mega Drive). While I haven’t done much gaming over the last couple of months, I seem to be going through a Mega Drive phase, having finished Wonderboy in Monster World back in July, buying a 32X in September and am currently contemplating playing through Phantasy Star 2. Well, I’m contemplating the latter via Sega Ages 2500 vol. 32: Phantasy Star Collection on the PS2, as you can set it to Very Easy/Easy to make the game less grindy compared to the cart. I do have Phantasy Star 2 in all its glory on the Mega Drive (including the map and the hint book!) from back in the day and even managed to finish it when I was a kid, but these days I don’t have the free time to grind-grind-grind my way through the game, so the M2-emulated compilation on the PS2 is my easy way out 🙂

So, looking at the list above I thought I’d focus on the Mega CD games, because I have unusually vivid memories of the Mega CD.

According to the Australian Video Game Magazine Score Archive at Retro Gaming Australia, Sonic CD was reviewed by Hyper in January 1994; this puts local availability anywhere from December 1993 to March 1994. The date is relevant because the first time I ever saw a Mega CD, in the flesh, was in my local favourite (and now sadly defunct) game store. Sitting on the front counter at the end of the two ailes full of Mega Drive and SNES games for rent that made up the small store (along with some Gameboy, Master System, NES and 3DO games to mix things up) was a Model 1 Mega Drive/Model 1 Mega CD combo with the opening splash screen/intro movie for Sonic CD running on a continuous loop. It was earth-shatteringly mindblowing in a way that you couldn’t imagine unless you were 12 years old and it was 1994. Unfortunately this isn’t necessarily a case for quality, as back in 1994 East 17 was popular amongst 12 year olds and digitised graphics/Mark Hamil was the future of gaming.

So, enthused by the promise of CD-ROM technology and low-resolution video in 64 colours, I pooled enough money to be able to rent a Mega CD from said local independent for a weekend with Thunderhawk and Sonic CD to test the machine out. This happened to be in September, and I can still recall hooking up that extra power brick to the series of double adapters behind the laminate-woodgrain TV in the lounge room to experience the future.

It was, in a word, amazing.

Sonic CD proved a great platformer in its own right, but the combination of CD audio (being a PAL version we had the original Japanese soundtrack, which is still my preference to this day) and 3D special stages elevated it to something else. Even if they could probably be done on a SNES with an overlcocked SuperFX2.

Then came Core Design’s technical wonder of a game, Thunderhawk. Having spent many hours enjoying the glorious glory that was LHX Attack Chopper on our mighty 386DX40 PC (which became an even better game when I worked out you could copy the disk’s contents to the 40mb [!] HDD for faster loading), loading up Thunderhawk was all types of awesome. Great scrolling, amazing audio, and more detail compared to my previous flat-shaded shoot-shoot-helicopter experience with the former (not surprising given it was made in… 1990, compared to Thunderhawk, which was released in 1993). Thunderhawk would mark the start of a great relationship between Core Design and Sega that culminated with Tomb Raider launching first on the Saturn, whereupon Core sold out since Sony paid them a lot of money to go exclusive. Since Sega had very little money in 1996 and created a convoluted (but loveable) mess of hardware, this arrangement is not terribly surprising.

But I digress – back to the story.

To be honest, I thought that was going to be the end of my Mega CD experience as the add-on was expensive, so there wasn’t much possibility of being able to pick one up on pocket money and money gifting on birthdays or Christmas. Fast-forward a little over 12 months though, and things changed. With the release of the Saturn and Playstation in 1995, the upcoming Nintendo 64 (though I think we were still calling it the Ultra 64 at that stage), the tanking of the Mega CD and 32X and with the 16-bit era on its last legs (nobody told Nintendo, so we got Donky Kong Country, Secret of Evermore and in the US, Chrono Trigger to keep us entertained for a little longer), in 1995 the impossible became altogether possible. I’m not sure how I got the funds together, but I joined the Mega CD club in spring ’95. I probably have the receipt somewhere that’ll give the exact date too.

Mum was kind enough to pick up the console and a game (Sonic CD) while I was at school, but it was a modern day/1995 tragedy – I was behind on a geography assignment that was due the next day (a Friday if I recall correctly), so instead of unboxing my shiny new console I stole quick glances at it between burying my head in atlases and encyclopedias whilst trying to write something coherent.

Roll on the next day though, and after school it was Mega CD time. It was warm (so I’m guessing it was late-October or November), so the fan was buzzing away at the lowest speed, and the Mega Drive + Mega CD 2 combo was hooked up via RF to the recently-acquired 34cm TV (in fashionable late-80s matte black, a hand-me-down from my older brother who replaced the TV [and accompanying C64] with a 14″ SVGA monitor and the 386DX40). Packed in was Road Avenger, which received a cursory play, but the real meat was Sonic CD. I can’t tell you how many hours I sunk into that game in the months following, but it was a lot. I remember unlocking everything on that game, it was amazing. I even started playing Road Avenger after a while, and began to genuinely enjoy it. This last point is not surprising in the context of 1995/1996, as my burgeoning anime interest was about to ramp up following easier access to videos thanks to Siren/Manga Video and SBS kicking off things with Ninja Scroll on Des Mangan’s Cult Movie sessions on Saturday nights a few months later.

So – spring, Mega CD and a few classic titles. Unusual? Probably 🙂

An ode to Valkyria Chronicles

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I realise most current-gen gaming writing on here are for retro-themed games, but I had to break the rule. Valkyria Chronicles is such a good game it deserves it.

Why am I posting this now? After all, the game came out three years ago, but since I’m a bit slow, I’ve only just gotten around to finishing it, and while I know I get carried away with hyperbole at times, I want to mark it up as one of the greatest, if not *the* greatest, gaming experience of this generation.

I should probably justify this, because in many respects, it isn’t exactly ground-breaking given it’s an evolution of so many strat (J)RPGs that have accumulated over the years. But it’s a great mid-point behind pure strategy and some hands-on, meaning there’s a bit more flexibility if you’re a bit retarded when it comes to strat games (like me :P). Even though I relied on YouTube videos towards the end of the game owing to my rubbish skills, the game remained accessible to someone like me who has never been that good at turn-based strategy or RTS games. Thank you Sega 🙂

So, what else? The scenario’s an alternative-universe Europe during WW2, with all sorts of tips of the hat to actual history, and plenty of silliness to expand it further into the realms of atypically Japanese storytelling. Some found the fantastical nature of some of it rage-inducing, but I found it charming. But I like my anime, so that explains my weakness in this regard. The character interaction was strong, even though it could probably be criticised for playing to stereotypes.

Much of the game reminds me in spirit of the Sakura Taisen games, which I adored on the Saturn and Dreamcast, so I think this also adds to my love of the game. There’s also the handy option to play the game with the original Japanese dubbing, which was a welcomed and crowd-pleasing choice, even though the dubbing was actually really good for the game. In itself, such good localisation of the voicework is unusual given it’s a Sega title, but I’m probably still stuck in the 32-bit era where there were some dreadful dubs, and the DC wasn’t much better to be honest (thankfully, Skies of Arcadia didn’t have too many spoken lines!).

But beyond all these is the atmosphere of the game. I’ve waxed lyrical on this intangible feeling a game can have on the player in other places – I had the same feeling playing Mirror’s Edge and it’s EU-centric vibe reminiscent of EU development in the early 90s. Valkyria Chronicles stirs the kind of empathy and vibe I haven’t felt in a while – it was classical old-school Sega, with dashes of the original Sakura Taisen, Phantasy Star 2 and 4, Panzer Dragoon Saga and Skies of Arcadia.

It was also great to see a game using a military subject matter without dipping into vats of testosterone and inserting expletives all over the place. Yes there’s a place for all of that, I’m just saying it was nice that it didn’t feel it needed to go there. As such, it was a pleasant counter-point to the typical Western approach. It would also explain why the game never reached critical mass with its market, as it lacked the “action movie” factor that colours a lot of other successful games.

Technologically, the CANVAS engine is, in my irrational mind, the most impressive game engine, visually, of this generation. I’m aware there are some gorgeous and flexible engines out there at the moment, but what they achieved with this one was stunning. The frame-rate very rarely dips, it allows for stunning in-game visuals and cut-scenes, the animation is clean and there’s only the occasional bit of screen-tearing, one of my pet-hates of the current generation of gaming. The game deviated from shades of grey and gave amazingly colourful vistas despite its subject matter, but the engine was flexible enough to go with the shades of grey and dirt-brown when the situation called for it.

And critical to a game’s success, the ending brought closure, a feeling of accomplishment and felt incredibly satisfying.

So that’s my call – you’re welcome to disagree of course, but there it is. Now I have to work out which game to sink my teeth into next 🙂