Japan 2012 Travel Diary, Day 4

Posted Saturday, 15th December 2012 under Travel
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Friday marked the last full day we had in Tokyo and the culmination of a bit of a juggle to squeeze in what we missed out on doing to date owing to the previous day’s hiccup. Wifey and I geared up and hit the subway early in the morning to head out the furthest we’d been thus far to visit the town of Takao and attempt to climb its namesake, Takao-San (or Mount Takao). Being an amputee, the whole mountain climbing thing can be a bit tricky, but we were both keen to see how we went.

After the lengthy (but engaging) train ride out of the city center we arrived at the beautiful town of Takao. Now, the day got off to an interesting start – I needed to use the facilities once we got there and after deciding that I’d rather avoid the lineup in the train station, I spotted another public toilet on one of the paths leading up to the mountain. So, there I was standing at one of the urinals waiting for nature to kick in when an elderly Japanese gentleman wanders in, and I swear he was taking a look at my junk. For the entire time he was doing his business at the urinal. And it wasn’t like he was being subtle about it – he bent his head and took a good old look just in case he missed something if he merely glanced at it. When he was done relieving himself, he zipped up, washed his hands and wandered out. While this doesn’t seem to be anything too unusual from some of the stories other Westerners tell of their travels in Japan, this was the first time something like this had happened to me. When I told Wifey what happened after finishing up she doubled over with laughter, which was therapeutic. This land is an amazing and eccentric place.

Anywho, toilet stories aside, we continued the trek through the town and up to the entrance to the mountain. Instead of being super crazy and walking from the base station we decided to take the open chair lift to the first station and head up from there.

When we arrived we noticed that a couple of primary school kids’ classes were visiting which made for some very cute observations of kids at play, especially as they followed us up the mountain to visit the monkey park 🙂 Once we’d seen enough monkey behaviour oddly reminiscent of Kubrick’s 2001, off we went to have a quick chug of water while being amused at the kids ride-on exhibits and offer to take a photo of a father and son visiting for the day.

The mountain itself has a variety of ways to scale it, with the various paths becoming accessible around the entrance of the shrine situated a little bit above the first station. We ended up going along path number 4, which took us along a variety of mountain paths, stairs and an awesome suspended bridge

I’m not sure how that path compares to the others, but it was a hard push in places (well, at least for me), but the journey was amazing. Given I’m a slow walker due to the nature of my gimped leg, we would regularly make way for other hikers on the trail, returning the greetings of the other Japanese travellers going up or down the trail. The primary school kids in particular were fun to watch as they bounded up and down the place – one little girl decided she would be helpful and corrected my Japanese at one point, as I wasn’t emphasising the “-ni-” in “konnichiwa”, which Wifey and I both thought was cheeky and hilarious at the same time 🙂 Her teacher apologised profusely and seemed genuinely embarrassed, but I reassured her that we found the whole experience amusing and entertaining.

After a hard slog though, we hit the top and had an amazing view of the mountain ranges and cityscape from the top of the mountain. After enjoying the view and getting ice-cream and cold drinks (soft-serve green tea ice-cream is the best), we headed downhill and knocked through the same trail in excellent time. When we hit the bottom we picked up some dango (rice dough covered in a sweet and savoury sauce – yum!) before heading back to the train station.

To finish up the day in Tokyo we headed out to Shibuya to visit Hachiko at Shibuya Station, then walk and watch the famous Shibuya Crossing.

Wifey bought some clothes from Forever 21 (yay for Western sizing!) while we found a place for dinner – we ended up hitting a cook-it-yourself teppanyaki place where we fired up a few things on the hot plate (first time for me as I hadn’t been to a teppanyaki self-cook restaurant before), which turned out great. Before heading home we walked across the other side of the road to check out the Book Off for nerd stuff, while Wifey went shopping in their basement in the Bingo store for fancy pants designer second-hand clothes.

I walked out with a pile of PSone games that came in at practically nothing (around ¥100 each!) and Wifey walked out with a designer jacket. We then braved the subway system during another crazy peak period squashed in like crazy sardines, much like how the Tokyo Subway system is shown in docos and travel shows. As uncomfortably tight as it is, it’s all very orderly and everyone just gets on with things. We got the same experience the previous night too, so by this point we were getting pretty comfortable with things.

Once we got back to the hotel it was time to juggle and cram our impromptu shopping in Tokyo into our luggage in prep for the next part of the journey!

To view all posts on the Japan 2012 Travel Diary, just use the 2012 Japan Trip tag, as the whole series will be added to it over time.

Response to Hyper’s Complete History of Racing Games

Posted Wednesday, 8th February 2012 under Soapbox rants
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I want to pre-empt this post with a foreword.

I continue to admire Hyper’s presence in the Australian market – it’s amazing that it continues to hit shelves each month with plenty of great content and coverage of the gaming sector and flies in the face of the downturn being experienced locally and overseas. Even in the wake of US stalwarts, our amazing piece of home-grown gaming journo goodness still comes out each month. Amazing stuff. So this post isn’t meant in any way to take a jab at the magazine, because I have a huge amount of respect and nostalgia-infused love for the publication.

I finished going through the Complete History of Racing Games special in the February 2012 issue (#220) this morning and wanted to write my thoughts on the piece. On the whole, it’s a very nice read – there was great attention paid to the early development of the genre in the arcade and at home, and I really liked the attention given to the home computers of the 80s (especially the C64!). My issues come with a lack of coverage and a bit of bias once things heat up and we hit the mid-90s.

On the arcade side, Virtua Racing was given it’s due, but Daytona was given less attention than Ridge Racer. While the latter’s important as a response to Daytona, the impact Daytona made was enormous as it arguably became the peak of racing games in the arcades, with no title that followed proving as successful. In fact, the success of Daytona was a huge boost to the Model 2 arcade platform Sega used in the mid-90s and saw it become one of the most successful arcade platforms ever, easily putting it in the same realm as the MVS and the Naomi. Namco still did well with Ridge Racer and the System 22 platform, but it is no way comparable to the magic of AM2’s accessible creation.

Another area of contention was the complete disregard to the Saturn. Multiple paragraphs are dedicated to the PSone, and that’s fine – the machine played host to some amazing output from Psygnosis, Polyphony Digital and Namco. But the only mention of the Saturn is comparing Daytona USA to Ridge Racer at launch; while the comparison is apt that the Daytona port looked several shades of rubbish, the game actually plays really well, surprisingly so (especially when played at 60hz). The Saturn also played host to an amazing port of Sega Rally, but going beyond that is a bit of an arguable stretch. Sega Touring Car had a lot of promise, but CSK ruined it with the frame rate issues, and Tantalus’ port of Manx TT didn’t do the machine any favours (though it’s still really cool that an Australian developer got the opportunity to do the port – they also handled the House of the Dead, Wipeout and Wipeout 2097 ports). Daytona USA CCE was highly anticipated, but ultimately failed to deliver in the gameplay stakes (though technically, it looked really nice).

I guess there’s nothing wrong with the amount of space dedicated to the PSone, but it does show things to be a little one-sided. Even Mario Kart 64 rated barely a mention, which I thought was a little odd.

The last issue I wanted to point out was the lack of time dedicated to the Dreamcast or Sega’s arcade movements post-Sega Rally. Model 3-based games such as Daytona USA 2, Scud Racer and Sega Rally 2 were part of the final wave of arcade games where the arcade visuals were unable to be matched at home. While Crazy Taxi earned a mention, it was distinctly offhand – Criterion’s Burnout series arguably owes more than a little inspiration to Crazy Taxi, so it’s a little disappointing when the latter gets a lengthy (and deserved) amount of attention despite the former’s influence and success in the arcade and at home. Also on the DC worthy of discussion are Daytona USA 2001, as it was the first game to almost nail improving on the arcade original’s visuals with almost getting the handling perfect (Daytona HD wins the prize for getting everything perfect) and Le Mans 24 Hours for bringing 24-hour racing in real-time for the DC (plus it was developed by Melbourne House and also looked very pretty). In addition, Bizarre Creations’ Project Gotham Racing is given acknowledgement, but the spiritual predecessor, Metropolis Street Racer on the DC, is given none.

Beyond this though, there’s no mention of OutRun 2/SP/2006, which brought the OutRun franchise back to life in the arcades (powered by the Chihiro board, which closely resembled the Xbox architecture) and also came to home consoles.

Now that I’ve written this little whinge out and have looking it, two things are apparent.

Number one, where I’ve decried Playstation bias in the original article, it’s clearly obvious I’m being just as bad (if not worse) with my bias towards Sega. Thus, my arguments above can be taken as tentative at best if my grand vision for the article was to have the space dedicated to the PSone retracted for Sega ramblings.

Number two, most of the above, when not defending the Saturn, has focused on arcade gaming, which in the late-90s was in serious decline; Napieralski rightly gives the reader a literary cue that discussion was naturally going to start focusing on home platforms instead of covering the last desperate sighs of the arcade sector, so the lack of coverage is definitely acceptable (and to his credit, the Initial D and Maximum Tune series’ were given mention to cap off the discussion).

So, I’ve effectively gone around in circles and have espoused in areas that probably didn’t need to be expanded in the original article. Except for maybe MSR 😉

But then again, this is the internet, where passionate discussion on unnecessarily niche topics are allowed to flourish. Thus, it’s better to look at this as purely a response rather than a criticism of the article (hence the title of the post). Accordingly, with this in mind, props to Napieralski and Hyper for giving some dedicated space covering the history of the genre, as it made for an otherwise great read 🙂

Seasonal gaming habits – spring?

Posted Wednesday, 12th October 2011 under Random nostalgia
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So, it’s hitting spring around here (remember, this is the southern hemisphere ;)). This means it’s no longer cold (“cold” by Australian standards anyway), the garden comes alive (with new weeds and the lawn needs more frequent mowing), it’s brighter for longer and Christmas isn’t too far away (scary). Last year I wrote on how games are associated with my memories of different seasons. It’s completely irrational, but for me different seasons have tangible memories of gaming associated with them. So when the seasons change, it makes me think of different games. As opposed to something more logical/socially acceptable, like music, movies or first loves. Popular culture informs me these associations are acceptable. They’re probably right.

In my original rant, I mentioned Road Avenger (Mega CD), Sonic CD (Mega CD), Thunderhawk (Mega CD), Marvel Super Heroes vs Street Fighter (Sega Saturn), Panzer Dragoon (Saturn), Panzer Dragoon Saga (Saturn), Mortal Kombat (Mega Drive) and Street Fighter 2: Special Championship Edition (Mega Drive). While I haven’t done much gaming over the last couple of months, I seem to be going through a Mega Drive phase, having finished Wonderboy in Monster World back in July, buying a 32X in September and am currently contemplating playing through Phantasy Star 2. Well, I’m contemplating the latter via Sega Ages 2500 vol. 32: Phantasy Star Collection on the PS2, as you can set it to Very Easy/Easy to make the game less grindy compared to the cart. I do have Phantasy Star 2 in all its glory on the Mega Drive (including the map and the hint book!) from back in the day and even managed to finish it when I was a kid, but these days I don’t have the free time to grind-grind-grind my way through the game, so the M2-emulated compilation on the PS2 is my easy way out 🙂

So, looking at the list above I thought I’d focus on the Mega CD games, because I have unusually vivid memories of the Mega CD.

According to the Australian Video Game Magazine Score Archive at Retro Gaming Australia, Sonic CD was reviewed by Hyper in January 1994; this puts local availability anywhere from December 1993 to March 1994. The date is relevant because the first time I ever saw a Mega CD, in the flesh, was in my local favourite (and now sadly defunct) game store. Sitting on the front counter at the end of the two ailes full of Mega Drive and SNES games for rent that made up the small store (along with some Gameboy, Master System, NES and 3DO games to mix things up) was a Model 1 Mega Drive/Model 1 Mega CD combo with the opening splash screen/intro movie for Sonic CD running on a continuous loop. It was earth-shatteringly mindblowing in a way that you couldn’t imagine unless you were 12 years old and it was 1994. Unfortunately this isn’t necessarily a case for quality, as back in 1994 East 17 was popular amongst 12 year olds and digitised graphics/Mark Hamil was the future of gaming.

So, enthused by the promise of CD-ROM technology and low-resolution video in 64 colours, I pooled enough money to be able to rent a Mega CD from said local independent for a weekend with Thunderhawk and Sonic CD to test the machine out. This happened to be in September, and I can still recall hooking up that extra power brick to the series of double adapters behind the laminate-woodgrain TV in the lounge room to experience the future.

It was, in a word, amazing.

Sonic CD proved a great platformer in its own right, but the combination of CD audio (being a PAL version we had the original Japanese soundtrack, which is still my preference to this day) and 3D special stages elevated it to something else. Even if they could probably be done on a SNES with an overlcocked SuperFX2.

Then came Core Design’s technical wonder of a game, Thunderhawk. Having spent many hours enjoying the glorious glory that was LHX Attack Chopper on our mighty 386DX40 PC (which became an even better game when I worked out you could copy the disk’s contents to the 40mb [!] HDD for faster loading), loading up Thunderhawk was all types of awesome. Great scrolling, amazing audio, and more detail compared to my previous flat-shaded shoot-shoot-helicopter experience with the former (not surprising given it was made in… 1990, compared to Thunderhawk, which was released in 1993). Thunderhawk would mark the start of a great relationship between Core Design and Sega that culminated with Tomb Raider launching first on the Saturn, whereupon Core sold out since Sony paid them a lot of money to go exclusive. Since Sega had very little money in 1996 and created a convoluted (but loveable) mess of hardware, this arrangement is not terribly surprising.

But I digress – back to the story.

To be honest, I thought that was going to be the end of my Mega CD experience as the add-on was expensive, so there wasn’t much possibility of being able to pick one up on pocket money and money gifting on birthdays or Christmas. Fast-forward a little over 12 months though, and things changed. With the release of the Saturn and Playstation in 1995, the upcoming Nintendo 64 (though I think we were still calling it the Ultra 64 at that stage), the tanking of the Mega CD and 32X and with the 16-bit era on its last legs (nobody told Nintendo, so we got Donky Kong Country, Secret of Evermore and in the US, Chrono Trigger to keep us entertained for a little longer), in 1995 the impossible became altogether possible. I’m not sure how I got the funds together, but I joined the Mega CD club in spring ’95. I probably have the receipt somewhere that’ll give the exact date too.

Mum was kind enough to pick up the console and a game (Sonic CD) while I was at school, but it was a modern day/1995 tragedy – I was behind on a geography assignment that was due the next day (a Friday if I recall correctly), so instead of unboxing my shiny new console I stole quick glances at it between burying my head in atlases and encyclopedias whilst trying to write something coherent.

Roll on the next day though, and after school it was Mega CD time. It was warm (so I’m guessing it was late-October or November), so the fan was buzzing away at the lowest speed, and the Mega Drive + Mega CD 2 combo was hooked up via RF to the recently-acquired 34cm TV (in fashionable late-80s matte black, a hand-me-down from my older brother who replaced the TV [and accompanying C64] with a 14″ SVGA monitor and the 386DX40). Packed in was Road Avenger, which received a cursory play, but the real meat was Sonic CD. I can’t tell you how many hours I sunk into that game in the months following, but it was a lot. I remember unlocking everything on that game, it was amazing. I even started playing Road Avenger after a while, and began to genuinely enjoy it. This last point is not surprising in the context of 1995/1996, as my burgeoning anime interest was about to ramp up following easier access to videos thanks to Siren/Manga Video and SBS kicking off things with Ninja Scroll on Des Mangan’s Cult Movie sessions on Saturday nights a few months later.

So – spring, Mega CD and a few classic titles. Unusual? Probably 🙂

Is your TV 240p compatible?

Posted Monday, 20th June 2011 under Hardware
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I’ve discussed before about using RGB to Component transcoders on old consoles to get the beautiful RGB video signal into something TVs with component inputs can handle. What didn’t occur to me at the time was TV compatibility.

Now, I primarily use an old 68cm CRT TV for my retro gaming, and my beloved Hitachi is kind enough to have component input (one of the main reasons I bought it back in… 2002). However, someone got in touch with me a while back saying they were having issues with playing games from the transcoder through their HD LCD TV. Turns out their set doesn’t support 240p via component, and as the transcoder outputs a 240p component signal, they were out of luck.

At first I thought it was unusual, as I hadn’t had any issues running it on my CRT TV, and our Sony Bravia HDTV (late-2007 model Bravia X) didn’t skip a beat with the unit, either. However, after looking into the issue, it seems they weren’t alone, and Samsung panels in particular seem cranky about working with 240p signals. Bummer.

So, how do you test your panel’s compatibility and what are your options? I’m no expert, but I’d suggest that if you have a Wii, change the Virtual Console to output in 240p and see what happens. Aside from that, I don’t know too many consoles that can do 240p and output component video natively. If you have a Playstation 2 and a set of component cables, you have a couple of choices:

• Fire up one of the Sega Ages releases that contain Mega Drive or Master System games and change the display settings in-game to 240p. I know this option exists for Phantasy Star Complete Collection, Gunstar Heroes Treasure Box and Monster World Collection.
• Load up Ico and see what happens (must be running in 60hz, the PAL version will give you the option)
• All PSone games running out of the PS2 apparently run in 240p also (I’m assuming this only counts for NTSC games, not PAL titles), so give that a try

Props to this thread at HDTV Arcade for the latter two options, as I didn’t realise PSone titles and Ico ran at 240p, I assumed both still ran at 480i or 576i.

So, assuming your TV struggles with a 240p component video signal, what are your options? Thankfully, there are some, but I can’t take credit for that info – Tobias “Fudoh” Reich has an amazing entry on it at Deinterlacing, Scaling, Processing: Classic videogame systems on LCD and Plasma screens. His article has an amazing roundup of equipment and technical info on achieving low-res beauty on HDTVs that get cranky with 240p signals (and while you’re there, you should also read his excellent piece, Scanlines Demystified, with lots of beautiful shots of low res displays), and will hopefully point you in the right direction.

Hopefully this will help others who have encountered the same problem. Mind, none of these workarounds would be necessary if HDTV manufacturers made their devices 240p compatible, so shop around wisely, check to see if your intended purchase will support 240p via component and ask questions of the manufacturer before buying your TV.

Squeenix, why isn’t RayStorm HD available outside Japan on PS3?

Posted Wednesday, 16th June 2010 under Retrospective game reviews
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I don’t quite understand why RayStorm HD isn’t available outside Japan on PS3. So I went and grabbed a pre-paid card and bought a copy through the Japanese store. Probably cost a lot more than it should when you consider the markup assigned to obtaining a Japanese PSN card, but I reckon it was worth it. Plus, I was able to get the Playstation port of Thunderforce V – I’ve played that to death on my Saturn and was always curious what the port was like, so it was a convenient arrangement.

Anywho, Square Enix’s idiosyncrasies aside, how’s the remake? Very nice indeed (as Yakumo over at Retro Core would say!). I haven’t put a stack of hours into it at this stage, just fitting in the occasional session when not hammering through Afterburner Climax or other gear on the PS3. The HD visuals look clean, uncluttered and the 16:9 playfield works really well – this last bit was my biggest concern going into it as breaking out the boundaries of a horizontal shooter already squeezed to a 4:3 aspect ration (rather than tate, or 3:4 ratio) to an even broader ratio may have messed up the balance RayStorm managed to achieve from back in the day.

While the decision to forego any crazy/fancy new effects may turn off the new breed who haven’t spent much time with the original FX-1B version or the Playstation “port” (though the FX-1B shares its hardware design with that of the Playstation, not unlike Namco’s System 11/12 or Capcom’s ZN-1/ZN-2 platforms, hence why I’ve put the word ‘port’ into quotations), I think it’s a very tasteful update to a solid game… though I still prefer the original Layer Section to its sequels (i.e. RayStorm, etc). So instead of having all sorts of filters, high polygon counts, motion blurring and so forth, we’re presented with slightly updated models and textures that reflect the exact same aesthetic as the original, only without jagged polygones or blurry textures. This is especially noteworthy with the low-poly waterfalls in level 3 🙂

And that’s pretty much it – there’s an arranged mode and some unlockables to keep things interesting, but probably the best feature introduced to take advantage of the current hardware platform are the leaderboards that not only post your high score (mine will be down the bottom if they register at all! 😉 ), but also allow you to save and upload your replays. This is excellent, since it allows rubbish shmup fans (like myself) to see how it really should be done 😉 Aside from this, it’s still RayStorm, so if you didn’t like it before, you probably won’t now unless your tastes in gaming have altered accordingly.

The only question left is – why the worldwide snub for PS3 gamers? Hopefully this’ll be rectified in time. The PS3 needs more Japanese shooters on it – I’d love some Otomedius on our machine, as well as the R-Type remake that came out a while ago, then there’s the Naomi ports (like Ikaruga and Triggerheart Exelica), and so on.

Still, we do have the Söldner-X games which are pretty awesome, but I wouldn’t mind sharing with XBLA if PSN can get a couple of those exclusives in return 😀