Gaming sessions – 16 November 2009

Erm, I was going through my backlog and realised I had a couple of sessions I forgot to post earlier, so here’s one from November last year, where I demonstrate my rusty Panzer Dragoon 2 skills on the Saturn 😀

Squeenix, why isn’t RayStorm HD available outside Japan on PS3?

RayStorm HD

I don’t quite understand why RayStorm HD isn’t available outside Japan on PS3. So I went and grabbed a pre-paid card and bought a copy through the Japanese store. Probably cost a lot more than it should when you consider the markup assigned to obtaining a Japanese PSN card, but I reckon it was worth it. Plus, I was able to get the Playstation port of Thunderforce V – I’ve played that to death on my Saturn and was always curious what the port was like, so it was a convenient arrangement.

Anywho, Square Enix’s idiosyncrasies aside, how’s the remake? Very nice indeed (as Yakumo over at Retro Core would say!). I haven’t put a stack of hours into it at this stage, just fitting in the occasional session when not hammering through Afterburner Climax or other gear on the PS3. The HD visuals look clean, uncluttered and the 16:9 playfield works really well – this last bit was my biggest concern going into it as breaking out the boundaries of a horizontal shooter already squeezed to a 4:3 aspect ration (rather than tate, or 3:4 ratio) to an even broader ratio may have messed up the balance RayStorm managed to achieve from back in the day.

While the decision to forego any crazy/fancy new effects may turn off the new breed who haven’t spent much time with the original FX-1B version or the Playstation “port” (though the FX-1B shares its hardware design with that of the Playstation, not unlike Namco’s System 11/12 or Capcom’s ZN-1/ZN-2 platforms, hence why I’ve put the word ‘port’ into quotations), I think it’s a very tasteful update to a solid game… though I still prefer the original Layer Section to its sequels (i.e. RayStorm, etc). So instead of having all sorts of filters, high polygon counts, motion blurring and so forth, we’re presented with slightly updated models and textures that reflect the exact same aesthetic as the original, only without jagged polygones or blurry textures. This is especially noteworthy with the low-poly waterfalls in level 3 🙂

And that’s pretty much it – there’s an arranged mode and some unlockables to keep things interesting, but probably the best feature introduced to take advantage of the current hardware platform are the leaderboards that not only post your high score (mine will be down the bottom if they register at all! 😉 ), but also allow you to save and upload your replays. This is excellent, since it allows rubbish shmup fans (like myself) to see how it really should be done 😉 Aside from this, it’s still RayStorm, so if you didn’t like it before, you probably won’t now unless your tastes in gaming have altered accordingly.

The only question left is – why the worldwide snub for PS3 gamers? Hopefully this’ll be rectified in time. The PS3 needs more Japanese shooters on it – I’d love some Otomedius on our machine, as well as the R-Type remake that came out a while ago, then there’s the Naomi ports (like Ikaruga and Triggerheart Exelica), and so on.

Still, we do have the Söldner-X games which are pretty awesome, but I wouldn’t mind sharing with XBLA if PSN can get a couple of those exclusives in return 😀

Afterburner Climax – Game of the Year 2010

23042010-afterburnerclimax

See that blurry picture taken with my camera phone? That’s me purchasing Afterburner Climax on the the 23rd of April. Unfortunately, I’ve been too busy playing it to get around to posting my thoughts on it. Because it truly is that awesome.

But is this just hyperbolic dribble from a Sega fanboy, making the bold statement that this game should qualify as for GotY? Probably. But there’s a method to my madness.

You see, for me there’s a special place in my heart for the classic Sega approach to making a score-attack title. The original two Afterburner games are a double-dose of amazement foe example, and I’ve put more hours than I can count into OutRun. Then you can look at some of spiritual (or actual) sequels to these games that I’ve sunk even more time and money to continue with the classic fix they brought – Galaxy Force, Panzer Dragoon, Gunblade; Outrunners, Power Drift, Daytona, Sega Rally, OutRun 2/2006/Live Arcade (you could even throw Initial D in there as well). Amazing lineup of games that have quantified the definitive arcade experience over the years, and in this sense Afterburner Climax is a completely nonsensical throwback to pickup-and-play mechanics, score attack, increasingly steeper difficulty (arguably unforgiving at times), blue, blue skies and more than a casual nod at Sega’s arcade lineage.

What’s particularly commendable is that the game managed to survive the transition to a home format – I first came across the Afterburner Climax DX cab in… 2008 when checking out one of the few remaining arcades still around the place. The experience was absolutely amazing – having cut my teeth on the Afterburner hydraulic cab back in the day, it was a perfect re-imagining of the original concept but on a modern platform with more current technology.

afterburner-climax-dx-cab

Despite the lack of the fancy-pants cabinet, it’s still a blast to play – hyper-fast, an orgy of destruction and plenty of hat-tipping to the original games, especially the option to swap between the original YM2151 X Board hardware audio and the new soundtrack put together for Climax. There are plenty of unlockables that can alter the difficulty of the in-game experience too, which is handy if you’re rubbish at the game like yours truly and adds extra incentive for playing through the game over and over again.

And even though it’s not difficult to fire through the game in 10 minutes, I constantly find myself coming back to it every time I put the PS3 on. There’s something immediately refreshing about the no-bullshit attitude the game has – this is an arcade experience, and if you don’t like it, bugger off. No stupid tutorials to explain complicated controls, no unnecessary backstory to slow things down (there is a backstory mind, but it never gets in the way of blowing stuff up), barely any frame-drops or tearing, just pure, high-quality Japanese arcade performance gaming.

Welcome back Sega – what took you so long?

Autumn reminds me of Secret of Mana

Back in 1996, my younger brother and I pooled our money together and bagged ourselves a great little SNES combo – coming to the end of the 16-bit era meant that there were good opportunities to see the other side of the fence for a small outlay (our household was a staunch Sega proponent) and enough time had passed to bury the proverbial hatchet. If memory serves, we put together around $200, which bought us a SNES Killer Instinct pack – SNES console with RF lead/AC adapter, controller, as well as a boxed copy of Killer Instinct (don’t laugh :P) and an extra controller as a bonus. We’d been thinking about it for a while at that point, as one of my brother’s mates had a SNES and had brought it over a few times and I’d been able to play some Zelda here and there, and one of my mates, McAdam, had snapped up a SNES the X-Mas prior to ’96 and had introduced me to the awesomeness of a rented copy of Secret of Mana one weekend. To complete the peer pressure, another mate from school got me hooked on Killer Instinct (again, stop laughing!). So, we took the plunge. Or rather, my little brother went away on camp for a weekend, so Mum and I went out to the mall and grabbed a SNES pack, and I picked up a copy of Secret of Mana for myself. The only catch was that I wasn’t allowed to play the SNES or even open it until he came back from his trip. It did make for an awesome Sunday evening of gaming though, and 3:30pm couldn’t come fast enough the next day at school 🙂

The time of year we got the SNES was when it starts to get a bit of a cold snap in the evening (well, “cold” by Australian standards anyway), so whenever we get a burst of cold like we’re getting at the moment, it reminds me of cranking out the SNES for the first time, and just as importantly, playing Secret of Mana with my brothers.

There was so much about the game that made it special – despite the nonsensical plot thanks to the game’s initial development as a Super CD title, there was so much to love about it. The graphics were pure 16-bit era Japanese development – colourful, charming and packed to the rafters with great animation and flourishes. The music was absolutely amazing – the SPC700 was able to do some amazing stuff, but the quality of the compositions for Secret of Mana were enchanting, especially since my other 16-bit adventures were dominated by the Mega Drive’s synth which didn’t have anywhere near the range of features of the SNES’ audio system (that being said, there’s a particular charm to what some of the better developers were able to pull off with the Mega Drive’s audio setup). But more than all of that, the game was so much fun to play and accessible. While the AI was a bit stupid, playing the game with someone else made it so much more fun and broke down a lot of barriers that surrounded the RPG systems in the 16-bit era. While I was already a JRPG convert thanks to the sublime Phantasy Star 2 (thanks to my brother Miguel on that one, and for starting me on the RPG path with the SSI-developed D&D games on the C64 and PC before that), it was great to see those concepts presented in such a different format. The only bummer is that I never got to play through the game on 3-player mode – my younger brother managed to do this with some of his mates when they rented a multitap from one of the neighbourhood video stores, and he assures me that it was awesome.

As much as I adore this game, there are two things about it that saddens me – first of all, the direct sequel, Seiken Densetsu 3, never got an official English release by Squaresoft (instead we got Secret of Evermore, which while not as polished, actually isn’t too shabby if you can psychologically separate it from the former when playing it). Secondly, all the games since the SNES games have arguably been rubbish. I remember downloading trailers for Legend of Mana on the PSX off Gaming Age on my old dial-up connection and being absolutely gobsmacked by some amazing hand-drawn visuals and sublime audio. Sadly, the final game featured a terrible translation and didn’t carry anywhere near the charm and persistent game world that the SNES games had. Fast forward to the PS2, and we get Dawn of Mana, yet another terrible interpretation of the franchise. Thankfully, the 3-party action-RPG spirit lived on in the excellent Kingdom Hearts games, but even that’s bittersweet – the natural extension of the engine that powered Kingdom Hearts would have made a natural base to build up a living, breathing and colourful world to set a new Mana game that echoed the successes of old. Such a wasted opportunity.

If I could make one last-ditched and naive request to SquareEnix, it would be this – create a HD remake of Secret of Mana with glorious 2D artwork, and tell the story that you originally wanted to tell before the game got chopped apart to fit the limited space of a cartridge. I’m not asking for voice work or anything like that (because in all likelihood it means they won’t make it a bilingual release) or animated cut scenes – 3 players online or offline simultaneously, great music, beautiful spritework, the full story, digital distribution (to reduce costs, though I’d love a physical release). I have a feeling SquareEnix like money, and this kind of project would be a virtual printer of cash. At least in my naive view of the current state of video gaming.

WTF is with the DRM on Final Fight: Double Impact Capcom?

So, Capcom recently added what I previously thought was a great release of the arcade versions of Final Fight and Magic Sword as a two-game pack on PSN and XBLA. Owning a PS3, I was tempted to grab it as I really like both games and thought it would be fun to play them in the main living room of the house.

However, I just found out that the game pack has DRM built into it, part of which requires you to have an internet connection at all times when you want to play the game (thanks to Kotaku for the great writeup).

What… the… #$%@?

So let’s get this straight – I’ve bought the game, I’m using it on my PS3, my internet connection drops out (very much a frequent thing in Australia, despite the hard work of ISPs like iiNet and Internode, there’s only so much you can do given the infrastructure), and BAM – no game for me.

Or what happens if my ADSL modem kicks the bucket and I have to wait a couple of weeks between grabbing a new one – I can’t play a game I legitimately downloaded?

Or, as one of the comments left by a reader on Kotaku pointed out, in 5-6+ years time and PSN changes or whatever (or for the sake of retro gaming, 10+ years – the PS3 won’t be Sony’s primary platform forever), I can’t play the game?

It’s… beyond rational.

For the record, I have Final Fight on Mega CD, have previously had it on the SNES, enjoyed playing it on the Capcom Classics Collection releases on the PS2 and even own an original CPS1 Final Fight PCB. Despite this, I was still happy to launch more money over at Capcom (and I am a big Capcom fan) to grab this so I have the convenience of being able to play it in my living room with Wifey, who loves a good scrolling fighter.

But not now. No way am I supporting this kind or behaviour from a company that should know better.

The worrying thing is if this viral attitude that presupposes every user is a pirate starts to infect other PSN releases – I actually have quite a few titles I’ve happily purchased over PSN and think it is such a fantastic service, and as a platform it is fulfilling a niche market of simpler, old-school and retro-inspired titles that aren’t commercially viable via a packaged release.

But this is the wrong way forward.

I respect the rights of a developer and publisher to protect their IP. But in return, I expect the developer and publisher to respect me as a consumer. I also expect that, despite the game being a digital release, that I’ll still be able to fire up my PS3 in 10 or 15 years time and play it. I figure that if I can still fire up my Atari 2600, where some of the carts are probably around 30 years old, why shouldn’t I have that same expectation of a game I have purchased for my PS3?

Capcom have some interesting titles on the way, one of which includes a new entry in the Bionic Commando ReArmed series. I bought Bionic Commando ReArmed within minutes of playing the demo because of impressed I was with it, and thoroughly enjoyed playing through the game. The sequel will potentially be a day-one purchase. However, if there’s even a hint that this kind of draconian DRM is going to be present, I’m walking away.

Shame Capcom, shame.