Seasonal gaming habits – spring?

Posted Wednesday, 12th October 2011 under Random nostalgia
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So, it’s hitting spring around here (remember, this is the southern hemisphere ). This means it’s no longer cold (“cold” by Australian standards anyway), the garden comes alive (with new weeds and the lawn needs more frequent mowing), it’s brighter for longer and Christmas isn’t too far away (scary). Last year I wrote on how games are associated with my memories of different seasons. It’s completely irrational, but for me different seasons have tangible memories of gaming associated with them. So when the seasons change, it makes me think of different games. As opposed to something more logical/socially acceptable, like music, movies or first loves. Popular culture informs me these associations are acceptable. They’re probably right.

In my original rant, I mentioned Road Avenger (Mega CD), Sonic CD (Mega CD), Thunderhawk (Mega CD), Marvel Super Heroes vs Street Fighter (Sega Saturn), Panzer Dragoon (Saturn), Panzer Dragoon Saga (Saturn), Mortal Kombat (Mega Drive) and Street Fighter 2: Special Championship Edition (Mega Drive). While I haven’t done much gaming over the last couple of months, I seem to be going through a Mega Drive phase, having finished Wonderboy in Monster World back in July, buying a 32X in September and am currently contemplating playing through Phantasy Star 2. Well, I’m contemplating the latter via Sega Ages 2500 vol. 32: Phantasy Star Collection on the PS2, as you can set it to Very Easy/Easy to make the game less grindy compared to the cart. I do have Phantasy Star 2 in all its glory on the Mega Drive (including the map and the hint book!) from back in the day and even managed to finish it when I was a kid, but these days I don’t have the free time to grind-grind-grind my way through the game, so the M2-emulated compilation on the PS2 is my easy way out

So, looking at the list above I thought I’d focus on the Mega CD games, because I have unusually vivid memories of the Mega CD.

According to the Australian Video Game Magazine Score Archive at Retro Gaming Australia, Sonic CD was reviewed by Hyper in January 1994; this puts local availability anywhere from December 1993 to March 1994. The date is relevant because the first time I ever saw a Mega CD, in the flesh, was in my local favourite (and now sadly defunct) game store. Sitting on the front counter at the end of the two ailes full of Mega Drive and SNES games for rent that made up the small store (along with some Gameboy, Master System, NES and 3DO games to mix things up) was a Model 1 Mega Drive/Model 1 Mega CD combo with the opening splash screen/intro movie for Sonic CD running on a continuous loop. It was earth-shatteringly mindblowing in a way that you couldn’t imagine unless you were 12 years old and it was 1994. Unfortunately this isn’t necessarily a case for quality, as back in 1994 East 17 was popular amongst 12 year olds and digitised graphics/Mark Hamil was the future of gaming.

So, enthused by the promise of CD-ROM technology and low-resolution video in 64 colours, I pooled enough money to be able to rent a Mega CD from said local independent for a weekend with Thunderhawk and Sonic CD to test the machine out. This happened to be in September, and I can still recall hooking up that extra power brick to the series of double adapters behind the laminate-woodgrain TV in the lounge room to experience the future.

It was, in a word, amazing.

Sonic CD proved a great platformer in its own right, but the combination of CD audio (being a PAL version we had the original Japanese soundtrack, which is still my preference to this day) and 3D special stages elevated it to something else. Even if they could probably be done on a SNES with an overlcocked SuperFX2.

Then came Core Design’s technical wonder of a game, Thunderhawk. Having spent many hours enjoying the glorious glory that was LHX Attack Chopper on our mighty 386DX40 PC (which became an even better game when I worked out you could copy the disk’s contents to the 40mb [!] HDD for faster loading), loading up Thunderhawk was all types of awesome. Great scrolling, amazing audio, and more detail compared to my previous flat-shaded shoot-shoot-helicopter experience with the former (not surprising given it was made in… 1990, compared to Thunderhawk, which was released in 1993). Thunderhawk would mark the start of a great relationship between Core Design and Sega that culminated with Tomb Raider launching first on the Saturn, whereupon Core sold out since Sony paid them a lot of money to go exclusive. Since Sega had very little money in 1996 and created a convoluted (but loveable) mess of hardware, this arrangement is not terribly surprising.

But I digress – back to the story.

To be honest, I thought that was going to be the end of my Mega CD experience as the add-on was expensive, so there wasn’t much possibility of being able to pick one up on pocket money and money gifting on birthdays or Christmas. Fast-forward a little over 12 months though, and things changed. With the release of the Saturn and Playstation in 1995, the upcoming Nintendo 64 (though I think we were still calling it the Ultra 64 at that stage), the tanking of the Mega CD and 32X and with the 16-bit era on its last legs (nobody told Nintendo, so we got Donky Kong Country, Secret of Evermore and in the US, Chrono Trigger to keep us entertained for a little longer), in 1995 the impossible became altogether possible. I’m not sure how I got the funds together, but I joined the Mega CD club in spring ’95. I probably have the receipt somewhere that’ll give the exact date too.

Mum was kind enough to pick up the console and a game (Sonic CD) while I was at school, but it was a modern day/1995 tragedy – I was behind on a geography assignment that was due the next day (a Friday if I recall correctly), so instead of unboxing my shiny new console I stole quick glances at it between burying my head in atlases and encyclopedias whilst trying to write something coherent.

Roll on the next day though, and after school it was Mega CD time. It was warm (so I’m guessing it was late-October or November), so the fan was buzzing away at the lowest speed, and the Mega Drive + Mega CD 2 combo was hooked up via RF to the recently-acquired 34cm TV (in fashionable late-80s matte black, a hand-me-down from my older brother who replaced the TV [and accompanying C64] with a 14″ SVGA monitor and the 386DX40). Packed in was Road Avenger, which received a cursory play, but the real meat was Sonic CD. I can’t tell you how many hours I sunk into that game in the months following, but it was a lot. I remember unlocking everything on that game, it was amazing. I even started playing Road Avenger after a while, and began to genuinely enjoy it. This last point is not surprising in the context of 1995/1996, as my burgeoning anime interest was about to ramp up following easier access to videos thanks to Siren/Manga Video and SBS kicking off things with Ninja Scroll on Des Mangan’s Cult Movie sessions on Saturday nights a few months later.

So – spring, Mega CD and a few classic titles. Unusual? Probably

Is your TV 240p compatible?

Posted Monday, 20th June 2011 under Hardware
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I’ve discussed before about using RGB to Component transcoders on old consoles to get the beautiful RGB video signal into something TVs with component inputs can handle. What didn’t occur to me at the time was TV compatibility.

Now, I primarily use an old 68cm CRT TV for my retro gaming, and my beloved Hitachi is kind enough to have component input (one of the main reasons I bought it back in… 2002). However, someone got in touch with me a while back saying they were having issues with playing games from the transcoder through their HD LCD TV. Turns out their set doesn’t support 240p via component, and as the transcoder outputs a 240p component signal, they were out of luck.

At first I thought it was unusual, as I hadn’t had any issues running it on my CRT TV, and our Sony Bravia HDTV (late-2007 model Bravia X) didn’t skip a beat with the unit, either. However, after looking into the issue, it seems they weren’t alone, and Samsung panels in particular seem cranky about working with 240p signals. Bummer.

So, how do you test your panel’s compatibility and what are your options? I’m no expert, but I’d suggest that if you have a Wii, change the Virtual Console to output in 240p and see what happens. Aside from that, I don’t know too many consoles that can do 240p and output component video natively. If you have a Playstation 2 and a set of component cables, you have a couple of choices:

• Fire up one of the Sega Ages releases that contain Mega Drive or Master System games and change the display settings in-game to 240p. I know this option exists for Phantasy Star Complete Collection, Gunstar Heroes Treasure Box and Monster World Collection.
• Load up Ico and see what happens (must be running in 60hz, the PAL version will give you the option)
• All PSone games running out of the PS2 apparently run in 240p also (I’m assuming this only counts for NTSC games, not PAL titles), so give that a try

Props to this thread at HDTV Arcade for the latter two options, as I didn’t realise PSone titles and Ico ran at 240p, I assumed both still ran at 480i or 576i.

So, assuming your TV struggles with a 240p component video signal, what are your options? Thankfully, there are some, but I can’t take credit for that info – Tobias “Fudoh” Reich has an amazing entry on it at Deinterlacing, Scaling, Processing: Classic videogame systems on LCD and Plasma screens. His article has an amazing roundup of equipment and technical info on achieving low-res beauty on HDTVs that get cranky with 240p signals (and while you’re there, you should also read his excellent piece, Scanlines Demystified, with lots of beautiful shots of low res displays), and will hopefully point you in the right direction.

Hopefully this will help others who have encountered the same problem. Mind, none of these workarounds would be necessary if HDTV manufacturers made their devices 240p compatible, so shop around wisely, check to see if your intended purchase will support 240p via component and ask questions of the manufacturer before buying your TV.

Squeenix, why isn’t RayStorm HD available outside Japan on PS3?

Posted Wednesday, 16th June 2010 under Retrospective game reviews
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I don’t quite understand why RayStorm HD isn’t available outside Japan on PS3. So I went and grabbed a pre-paid card and bought a copy through the Japanese store. Probably cost a lot more than it should when you consider the markup assigned to obtaining a Japanese PSN card, but I reckon it was worth it. Plus, I was able to get the Playstation port of Thunderforce V – I’ve played that to death on my Saturn and was always curious what the port was like, so it was a convenient arrangement.

Anywho, Square Enix’s idiosyncrasies aside, how’s the remake? Very nice indeed (as Yakumo over at Retro Core would say!). I haven’t put a stack of hours into it at this stage, just fitting in the occasional session when not hammering through Afterburner Climax or other gear on the PS3. The HD visuals look clean, uncluttered and the 16:9 playfield works really well – this last bit was my biggest concern going into it as breaking out the boundaries of a horizontal shooter already squeezed to a 4:3 aspect ration (rather than tate, or 3:4 ratio) to an even broader ratio may have messed up the balance RayStorm managed to achieve from back in the day.

While the decision to forego any crazy/fancy new effects may turn off the new breed who haven’t spent much time with the original FX-1B version or the Playstation “port” (though the FX-1B shares its hardware design with that of the Playstation, not unlike Namco’s System 11/12 or Capcom’s ZN-1/ZN-2 platforms, hence why I’ve put the word ‘port’ into quotations), I think it’s a very tasteful update to a solid game… though I still prefer the original Layer Section to its sequels (i.e. RayStorm, etc). So instead of having all sorts of filters, high polygon counts, motion blurring and so forth, we’re presented with slightly updated models and textures that reflect the exact same aesthetic as the original, only without jagged polygones or blurry textures. This is especially noteworthy with the low-poly waterfalls in level 3

And that’s pretty much it – there’s an arranged mode and some unlockables to keep things interesting, but probably the best feature introduced to take advantage of the current hardware platform are the leaderboards that not only post your high score (mine will be down the bottom if they register at all! ), but also allow you to save and upload your replays. This is excellent, since it allows rubbish shmup fans (like myself) to see how it really should be done Aside from this, it’s still RayStorm, so if you didn’t like it before, you probably won’t now unless your tastes in gaming have altered accordingly.

The only question left is – why the worldwide snub for PS3 gamers? Hopefully this’ll be rectified in time. The PS3 needs more Japanese shooters on it – I’d love some Otomedius on our machine, as well as the R-Type remake that came out a while ago, then there’s the Naomi ports (like Ikaruga and Triggerheart Exelica), and so on.

Still, we do have the Söldner-X games which are pretty awesome, but I wouldn’t mind sharing with XBLA if PSN can get a couple of those exclusives in return

Autumn reminds me of Secret of Mana

Posted Thursday, 6th May 2010 under Random nostalgia
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Back in 1996, my younger brother and I pooled our money together and bagged ourselves a great little SNES combo – coming to the end of the 16-bit era meant that there were good opportunities to see the other side of the fence for a small outlay (our household was a staunch Sega proponent) and enough time had passed to bury the proverbial hatchet. If memory serves, we put together around $200, which bought us a SNES Killer Instinct pack – SNES console with RF lead/AC adapter, controller, as well as a boxed copy of Killer Instinct (don’t laugh ) and an extra controller as a bonus. We’d been thinking about it for a while at that point, as one of my brother’s mates had a SNES and had brought it over a few times and I’d been able to play some Zelda here and there, and one of my mates, McAdam, had snapped up a SNES the X-Mas prior to ’96 and had introduced me to the awesomeness of a rented copy of Secret of Mana one weekend. To complete the peer pressure, another mate from school got me hooked on Killer Instinct (again, stop laughing!). So, we took the plunge. Or rather, my little brother went away on camp for a weekend, so Mum and I went out to the mall and grabbed a SNES pack, and I picked up a copy of Secret of Mana for myself. The only catch was that I wasn’t allowed to play the SNES or even open it until he came back from his trip. It did make for an awesome Sunday evening of gaming though, and 3:30pm couldn’t come fast enough the next day at school

The time of year we got the SNES was when it starts to get a bit of a cold snap in the evening (well, “cold” by Australian standards anyway), so whenever we get a burst of cold like we’re getting at the moment, it reminds me of cranking out the SNES for the first time, and just as importantly, playing Secret of Mana with my brothers.

There was so much about the game that made it special – despite the nonsensical plot thanks to the game’s initial development as a Super CD title, there was so much to love about it. The graphics were pure 16-bit era Japanese development – colourful, charming and packed to the rafters with great animation and flourishes. The music was absolutely amazing – the SPC700 was able to do some amazing stuff, but the quality of the compositions for Secret of Mana were enchanting, especially since my other 16-bit adventures were dominated by the Mega Drive’s synth which didn’t have anywhere near the range of features of the SNES’ audio system (that being said, there’s a particular charm to what some of the better developers were able to pull off with the Mega Drive’s audio setup). But more than all of that, the game was so much fun to play and accessible. While the AI was a bit stupid, playing the game with someone else made it so much more fun and broke down a lot of barriers that surrounded the RPG systems in the 16-bit era. While I was already a JRPG convert thanks to the sublime Phantasy Star 2 (thanks to my brother Miguel on that one, and for starting me on the RPG path with the SSI-developed D&D games on the C64 and PC before that), it was great to see those concepts presented in such a different format. The only bummer is that I never got to play through the game on 3-player mode – my younger brother managed to do this with some of his mates when they rented a multitap from one of the neighbourhood video stores, and he assures me that it was awesome.

As much as I adore this game, there are two things about it that saddens me – first of all, the direct sequel, Seiken Densetsu 3, never got an official English release by Squaresoft (instead we got Secret of Evermore, which while not as polished, actually isn’t too shabby if you can psychologically separate it from the former when playing it). Secondly, all the games since the SNES games have arguably been rubbish. I remember downloading trailers for Legend of Mana on the PSX off Gaming Age on my old dial-up connection and being absolutely gobsmacked by some amazing hand-drawn visuals and sublime audio. Sadly, the final game featured a terrible translation and didn’t carry anywhere near the charm and persistent game world that the SNES games had. Fast forward to the PS2, and we get Dawn of Mana, yet another terrible interpretation of the franchise. Thankfully, the 3-party action-RPG spirit lived on in the excellent Kingdom Hearts games, but even that’s bittersweet – the natural extension of the engine that powered Kingdom Hearts would have made a natural base to build up a living, breathing and colourful world to set a new Mana game that echoed the successes of old. Such a wasted opportunity.

If I could make one last-ditched and naive request to SquareEnix, it would be this – create a HD remake of Secret of Mana with glorious 2D artwork, and tell the story that you originally wanted to tell before the game got chopped apart to fit the limited space of a cartridge. I’m not asking for voice work or anything like that (because in all likelihood it means they won’t make it a bilingual release) or animated cut scenes – 3 players online or offline simultaneously, great music, beautiful spritework, the full story, digital distribution (to reduce costs, though I’d love a physical release). I have a feeling SquareEnix like money, and this kind of project would be a virtual printer of cash. At least in my naive view of the current state of video gaming.